The Cunning Peasant Never Reveals His Sources

I’ve done a lot of food foraging in my time but it’s usually of the domestic variety. You know, my mothers’ freezer or pantry. So I was a little surprised to recently find myself bent over double, holding a knife in one hand, and a gigantic green weed in the other. It was Saturday morning and my mother and I were in a local park.

“You are always asking. Now you know,” said my mother. “This is chicory.”

Now I’m a sucker for the romantic notion of living off the land, preferably on a hill top villa in Tuscany. I’ve read the good life abroad memoirs. I know that every afternoon is one long feast of seasonal food, freshly gathered, drizzled in the local olive oil and enjoyed with a bottle of home made wine. So it is true that I’ve often asked my mother what it was like to live in Sicily, after the war, gathering wild greens and dancing in the fields.  But I wasn’t expecting to find the good life so close to home, not in a park in south west Sydney anyway. And not on a Saturday morning, when anyone walking past could see us. And anyway, these weren’t wild greens, they’re common ‘wet the beds’. Everyone, including your average hound, knows these things grow on the side of the road all over the place.  This certainly wasn’t turning out to be A Year in Provence.

“With your hand you hold the plant,” my mother instructed. “With the knife you cut under the root.”

Nonetheless the anarchist hippie in me began to stir at the smell of free food. So I got over the potential for embarrassment, and dog poo, and began to dig, wielding my knife in such a way as to make my peasant ancestors proud. Armed with my own plastic bag I began to feel quite chuffed as between us we harvested a whole sidewalk.

As I dug I mused about the urban foraging / eat local  / self sufficiency craze that has swept Sydney recently. People are regularly popping off the grid to live more sustainably. Men and women nowhere near pension age are preserving plums left, right and centre; and there are fancy chefs all over town harvesting wild greens to serve with their smoked pork belly. Or so the newspapers tell me.

Just as I was beginning to enjoy this authentic experience, made particularly so by the fact that my back was aching, I heard a voice asking if these weeds were edible. I straightened up. A man was standing next to us watching curiously.

I was about to say, “Yes! It’s wild chicory! My mother used to eat it all the time when she was a child in Sicily.” But my mother’s murderous glance silenced the words before they could joyfully bubble out.

“This is for my rabbits. Very good food for rabbits. No good for you,” she said, in that thick Italian accent she reserves for this blog.

The cunning peasant never reveals his sources.

So, loaded down with plastic bags we made our way back to my mother’s kitchen where the chicory was triple washed in vinegar to remove any pesticides and then wilted in a pot of boiling water. A few minutes later, drizzled with olive oil and seasoned with salt and pepper, we ate a hearty lunch of these edible wild greens with some Italian bread to mop up the juices and a glass of my mother’s homemade wine.  Well my mother ate the greens; I polished off a fair bit of the bread and wine.  The greens themselves were incredibly bitter and knowing exactly where my food had come from brought a whole new perspective to the idea of eating local.






About sagesomethymes

Daniela is a writer, theatre producer and civic educator. She has had short stories and poetry published in: 'Prayers of a Secular World', Inkerman & Blunt; 'Blue Crow Magazine', Blue Crow Press; 'Knitting and other stories', Margaret River Press and Radio National’s '360 documentaries'. Her debut play, 'Talc', was produced in 2010. Her short play, 'Sicilian Biscotti', was produced for the launch of “Women Power and Culture” at New Theatre in 2011 and shortlisted for the Lane Cove Literary Award in 2015. Her second full length play, 'Friday', was produced by SITCO at the Old Fitzroy Theatre in 2013. 'The Poor Kitchen' was produced in 2016 as part of the Old 505 Theatre’s Fresh Works Season and was published by the Australian Script Centre in 2017 ( It was re-staged by Patina Productions at Limelight on Oxford in 2019. She co-wrote 'Shut Up And Drive' with Paul Gilchrist and it was produced at KXT in 2016. 'Seed Bomb' was produced at Old 505 Theatre as part of the FreshWorks Season in 2019 and has been published by the Australian Script Centre ( She co-wrote 'Softly Surely' with Paul Gilchrist and it was produced at Flight Path Theatre in 2022. She is the co-founder of indie theatre company subtlenuance ( Her published short stories can be read via the Short Stories tab on this blog.
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1 Response to The Cunning Peasant Never Reveals His Sources

  1. Gina says:

    They’re no good after freezing. You’re best off eating them fresh. Chicory is delicious exactly as Zia made them. Even better with a pinch of hot chili!

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